When it comes to the more sophisticated end of the music spectrum, Vienna tends to be associated with older eras. It’s sort of inevitable when sons of the city include Mozart, Schubert, and Beethoven. But the Wien Modern festival belies that impression by showcasing the work of more contemporary composers.
- Annual 30+ day contemporary music festival
- Dozens of premieres & prestigious international performers
- 2019 dates TBA (it was Oct 28 – Nov 30 in 2018)
- See also: Concerts in Vienna
What’s Wien Modern all about?
Put away the period costume and your plastic Mozart figurine. We’re talking more John Cage than Johann Strauss in a celebration of contemporary music that also draws in the visual arts.
First established back in 1988 by Claudio Abbado, Wien Modern sits at the interface between tradition and innovation, the past and the future. At least that’s my impression. About a month’s worth of concerts and other events gently nudge aside the traditional music scene to give voice to more avant-garde approaches, fearlessly incorporating electronic music and the visual arts to pronounce classical music as an ongoing process.
As well as featuring the work of some of the best contemporary composers the world has to offer, it also features some of the best performers, such as the Vienna Philharmonic Orchestra and the Vienna Symphony Orchestra.
As soon as I get details of the 2019 event, I’ll post them up here. In the meantime, here are the highlights from 2018:
The Wien Modern programme ran under the motto “Sicherheit” (Security), with over 110 concerts, artistic performances, discussions, and more across 30 venues that explored and tested the edges of that concept: no risk, no fun. The Vienna Philharmonic Orchestra set the tone with the official opening concert featuring Cage and Schoenberg, plus the premiere of a work written for the orchestra by Johannes Maria Staud, and all without a conductor.
Other highlights included:
- “Panic”, featuring (among others) the Vienna Symphonic Orchestra, conductor Sylvain Cambreling, the premiere of Julia Purgina’s “Akatalepsia” and the work by Sir Harrison Birtwistle that gave the concert its title
- “Casino Cage”, featuring Luciano Berio’s “Sequenza” (all 14 parts) and Cage’s “Variations IV”, with the precise composition of the evening determined at a roulette table
- The silent film “The city without Jews”, produced in 1924 and with a new score by Olga Neuwirth
- Neuwirth’s homage to Hermann Melville, “The Outcast” …and much more
2019 dates & tickets
I don’t have dates, yet, but the 2018 Wien Modern began on October 28 and finished on November 30. Some events were free. Otherwise, individual tickets and festival passes were available through the official website, which had a full schedule of events and locations.