When you enter Gallery 10 in the Kunsthistorisches Museum, there’s a change of flooring and presentation which makes the transition from Ancient Egypt to Greece and Rome clear.
- Full of Greek and Roman art, jewellery, pottery and other artifacts
- Cameos and gemstones a particular highlight
- Beautifully atmospheric gallery layout
- See also: Kunsthistorisches Museum tickets & visitor info | Ephesos Museum
Ancient Greece and Rome
(Roman Gold bracelet with a carnelian stone, 3rd century AD. Photo courtesy of the Metropolitan Museum of Art)
The transition to the classics comes across through both the style of the surrounds and the items themselves – there’s a noticeable jump in artistic quality in the first Greek statues you meet.
The curators have put a lot of thought into how items are displayed in this collection (see the highlights below). However, with surprisingly little English information for such wonderful displays (at least when I visited in early 2019), you might need your guidebook or an audio guide to really appreciate what you’re seeing.
So what raised my eyebrows in this collection?
- Gallery 11 features a huge original mosaic in the floor, taken from a 4th century villa near Salzburg.
It tells one of the versions of the story of Ariadne and Theseus (he of Minotaur-slaying fame).
- Gallery 13 has a delightful display of busts, each on its own high column.
As you walk toward this gallery, a glance at the entrance portal reveals a majestic Emperor Vespasian seemingly waiting to welcome you. His head is from 70 AD, his torso from sometime in the first century.
This is a perfect example of how the curators have created something special through the design of the entire Greek and Roman wing.
The bust gallery has an eerie quality enhanced by the subtle and varied lighting and shadows cast on the marbled floor. Look also for the mummy portraits, which they placed on mummies in Rome-influenced Egypt in the second century AD.
- Gallery 14 features Greek vases and other ceramics. The kind of thing you’ll be familiar with from souvenir shops in Athens and Kos, except these are the real things.
The “Kabinetts” leading off the rooms each focus on a special topic, such as Cypriot ceramics from the bronze and iron ages or Etruscan art – you’ll also find more vases here than you can shake a souvlaki at.
- Gallery 15 is another where the display is magical – this time featuring bronze statues of the gods and other figures of mythology.
A lot of praise is due the designers of the Antiquities exhibits – the dark settings with pools of light for each piece make a dramatic impression. Just a shame about the lack of English, though this might change with time.
Elsewhere in the room are Roman tableware, jewellery, decorated oil lamps and fibulae (brooches for fastening clothing).
- Gallery 16 is probably my favourite with its miniature reliefs (cameos) and engraved gems from Rome.
These were used for signet rings, pendants and other adornments.
Again, the room is lit darkly, with wall cabinets and spotlights. At a distance, the gem cabinets look like a collection of brightly-coloured beetles. As you walk past, watch how certain gems catch the light – particularly the orange carnelians.
The room also features the Gemma Augustea, a large cut onyx stone honouring the Emperor Augustus from 9-12 AD.
- Gallery 17 is another profiting from the creativity of the museum staff. Spot-lit cabinets harbour a wide range of Roman and early Germanic jewellery and other items of bronze, silver and gold.
The treasures come from various finds, such as Nagyszentmiklós (in modern-day Romania) or Zalesie (modern-day Poland).
Next: the paintings