The great composer and conductor would have been 100 in 2018. To honour the occasion, the Jewish Museum has a special Bernstein exhibition, subtitled, “A New Yorker in Vienna”.
- The Judenplatz site of the museum hosts the exhibition
- Focuses on the relationship between Bernstein and the city
- Runs Oct 17, 2018 to April 28, 2019
- See also:
What’s it all about?
(Bernstein conducting at the Musikverein in 1966 in a traditional Austrian jacket © Historisches Archiv Wiener Philharmoniker)
Leonard Bernstein is the perfect example of the artistic tension often found in a place like Vienna, with its long and illustrious (and sometimes not-so-illustrious) history.
As a giant of classical music, it’s no wonder he returned again and again to what is probably the capital city of that genre. Bernstein was credited, for example, with reintroducing Mahler’s works to Vienna and enjoyed the love and affection of the Viennese.
The admiration was such that Bernstein was made an honorary citizen in 1987, a municipal title he shared with other musical greats like Herbert von Karajan and Gottfried von Einem.
The mutual love affair between city and man was, however, complicated by Austria’s inglorious role in the rise of fascism and antisemitism in the early- to mid-20th century.
Bernstein first performed in Vienna as early as 1946 (at the Konzerthaus), which is quite astonishing when you consider that just a few months earlier, some of the people enjoying his performance might have happily sent him off to a concentration camp for being Jewish.
The Bernstein exhibition explores this intriguing relationship, whose sometimes paradoxical nature perhaps reached its zenith in his work with the Vienna Philharmonic Orchestra (famously spared significant denazification immediately after WWII).
Bernstein and the orchestra performed almost 200 concerts together, in Vienna and around the world. Music as the key to reconciliation?
The exhibition fills two relatively small rooms with photos, documents and memorabilia, complemented by short texts (in German and English) touching on his Jewish roots and political activism, for example, but mainly addressing his work in Vienna. This includes his relationship with Helmut Wobisch, who was the long-time executive director of the Vienna Philharmonic and also a former member of the SS.
Among the highlights for me:
- A 1965 tailcoat worn by Bernstein and made by his long-serving tailor, Otto Perl
- A box of the pencils Bernstein used to make notes of musical scores
- Excerpts from his letters back home, illustrating the tense ambivalence he felt toward Vienna and its people, especially early on in the relationship
- A rather sad letter from the Nazi hunter, Simon Wiesenthal, revealing the extent of Wobisch’s unpleasant past but also acknowledging the difficulties of public exposure in a country unhappy to be reminded of its ignominious actions in the 1930s and 1940s
Dates and tickets
The exhibition dates are Wednesday, 17th October 2018 through to Sunday, 28th April 2019.
An entrance ticket for adults cost €12 at the time of visiting, but concessions were available. Entry is free with the Vienna Pass for sightseers. As always, check locally for up-to-date info.
How to get to the Leonard Bernstein exhibition
The exhibition is not in the main Jewish Museum building but in the Judenplatz exhibition space at its second location, next to the Holocaust memorial.
See the main museum article for directions and public transport tips.
Address: Judenplatz 8, 1010 Vienna | Website