The MAK museum covers applied arts and contemporary art, which leads to an eclectic mix of exhibitions that have one thing in common: they’re always rather good. At least, every one I’ve been too has been well worth the time.
This archive links to my articles on past exhibitions…
- See also: Selected current MAK exhibitions
Sheila Hicks (2020/2021)
Given the unfortunate nature of 2020 and 2021, we were due a bit of colour in our lives. The Sheila Hicks exhibition (her first solo exhibition in Austria) delivered with its multitude of sculptures, installations and designs in fabric.
The exhibition combined “classics” of the past with more recent art, as well as works created by Hicks specifically for the display environment at the MAK. I was sorry to miss out on a visit due to the shenanigans of my pandemic life.
Adolf Loos: private houses (2020/2021)
This Loos exhibition ignored those monumental constructions in Vienna that get all the attention and focused on housing. More specifically, houses designed by one of the pioneers of architectural modernism: Adolf Loos.
The exhibition presented drawings, plans and models to illustrate Loos’s approach, which saw him design homes for a range of purposes…from council housing to high-end villas.
The material that really kicked off the plastics revolution enjoyed a tribute in exhibition form in the second half of 2020. Robust, yet easily shaped, Bakelite opened up new artistic and manufacturing opportunities for designers and industrialists.
The exhibits drew on the Georg Kargl collection and illustrated the fields of application for Bakelite (but with a focus on those impacts on design).
Raimund Abraham (2020)
An exhibition as tribute to an architect of extraordinary vision and imagination. The Raimund Abraham exhibition placed particular emphasis on those building designs that were never expected to become reality: brought to life in the MAK through drawings, models, and more.
Otto Prutscher (2019/2020)
For some creative geniuses, it’s easier to list the fields they were not active in. Otto Prutscher was one of those stars of Viennese Modernism for whom the world formed a giant design canvas. This exhibition presented both the results of his efforts and behind-the-scenes materials (many appearing for the first time in public).
The name behind one of the most famous chairs in world history (the No. 14). The Bentwood and Beyond exhibition sent us on a journey through 19th and 20th century furniture design and explored the influential role of the Thonet company in the evolution of form, materials, and aesthetics.
SHOW OFF (2020)
Viennese fashion offers considerably more than a DJ or ball gown. The SHOW OFF exhibition might be considered a “recent retrospective.” It showcased highlights from the last four decades of contemporary Austrian fashion, exploring the clothing itself, fashion as sociocultural phenomenon, and fashion education.
Certain styles remain iconic years after their time. So it is with Ukiyo-e woodcut prints from Japan. The Kuniyoshi exhibition focused on one particular 19th-century master of the art (Utagawa Kuniyoshi), but also took his work as a base from which to explore related themes, such as the role of context in understanding art, the history of art collection, and similar.
Chinese Whispers (2019)
A cornucopia of contemporary art from China drawn from the Sigg collection. Chinese Whispers covered numerous media and presented wonderful works (including by Ai Weiwei) with a particularly strong connection to their sociocultural context. And then the curators added another layer of interpretation by juxtaposing historical Chinese art and design with modern creations.
Koloman Moser (2018/2019)
Another of those giants of Viennese Modernism who produced masterful art and design across genres and media – from posters and paintings to stools and stamps (I’m learning there were quite a few of these people). The Koloman Moser exhibition examined his biography, influences, and creative evolution…all illustrated by hundreds of his works.
My first exhibition at the MAK and probably still my favourite. Beauty invited us to rediscover the inherent value to be found in beautiful design and architecture, which need not come at the expense of economy and efficiency (quite the opposite, in fact). Innovative displays and installations that touched all the senses left me skipping out of the museum with a grin on my face.