The Pasqualatihaus house once echoed to the works of Beethoven, played by the composer himself. You might say the same of many Viennese buildings (Beethoven moved around a lot), but the difference here is you can actually visit a suite of memorial rooms inside.
- A small “museum” in a house Beethoven lived in for many years
- Very few original items – this is more of a homage and memorial than a museum
- Adult tickets only cost €5 or use the Vienna Pass for one-time free entry
- See also: Beethoven locations
Inside the Pasqualatihaus
The house owner – Baron Pasqualati – was a friend and sponsor of Beethoven, who lived in one of the apartments at various times between 1804 and 1814.
It was here that the great man composed, for example, the opera that became known as Fidelio, several symphonies, and the famous Für Elise piano piece that even an idiot like me recognizes.
What Beethoven did not do was live in the exact same rooms you can visit. Manage your expectations – this is not a former apartment or a comprehensive Beethoven museum (that’s here and highly recommended), but a kind of small homage and memorial to the composer.
The house sits on a raised site above the old city walls, and would have looked down across the green suburbs of Vienna. It must have been an inspiring location for anyone with a creative bent.
If you stand by the window, you can let your imagination roam to get a feel for the environment that Beethoven composed in.
The area certainly retains its historical feel, which is why it appears in various film and TV productions. They used it for outdoor scenes in the Vienna Blood period crime series, for example, and Harry Lime makes his first appearance in The Third Man just a couple of doors down.
The five rooms inside the Pasqualatihaus are small and unfurnished. In each, you’ll find a handful of items and displays relating to Beethoven’s life or work. But it’s all fairly minimalist.
Only a couple of original Beethoven possessions grace the location – a salt and pepper pot, for example, though that’s still kind of endearing to see. Otherwise, it’s pictures of performers and other contemporaries, opera flyers of the time, an oil portrait, a bust, and similar.
Unfortunately, most of the display information was in German on my visit, so it was hard to get much from it all unless you already know your Beethoven.
I did enjoy seeing some sheet music with his corrections, but all inevitably copies of course (like nearly all the items on display). You can also listen to selected Beethoven works at music desks.
In summary – worth a visit if you’re tracing Beethoven’s footsteps across the city and immersing yourself in his life and works. Otherwise, it probably won’t feature at the top of your sightseeing list.
Tickets & visitor tips
At the time of writing, adult tickets were €5. A Vienna Pass (see review) also covers the Pasqualatihaus and other musician residences managed by the Wien Museum.
Note that you will need to climb several sets of stairs inside the house to reach the museum. (Vienna is very accessible, but sometimes you just can’t put lifts in very old buildings.)
If you want to continue the Fidelio connection, look to the Theater an der Wien. The piece premiered there (as did other Beethoven compositions and works by the likes of Schubert and Johann Strauss II).
How to get to the Pasqualati House
The house is just off the main Ring boulevard, so quite central. Stand on the Ring at the monument to Johann Andreas von Liebenberg and look up and toward the city center – you’ll see it above you.
It’s just a hop, skip, and a jump from Schottentor station, which is on the U2 subway line and serves various tram (1, 37, 38, 40, 41, 42, 43, 44, 71, D) and bus (1A and 40A) lines.
When you leave Schottentor, head south along the ring on the city center side: it’s just around 200m away.
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