Most people associate Joseph Haydn with his time in the town of Eisenstadt, serving as musical director at the court of the Esterházy family out to the east of Vienna. But he actually had a surprisingly long association with Austria’s capital.
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The map below shows all the main Viennese locations associated with Haydn: homes, monuments, and similar.
Many other Haydn landmarks fell victim to 19th-century city construction projects. I haven’t included these missing buildings unless some kind of plaque marks the musical connection.
Haydn and Vienna
Haydn arrived in the city in 1740 aged just eight to serve as a chorister at St. Stephen’s Cathedral and stayed for almost 20 years before leaving for Bohemia and then Eisenstadt. He returned to live in Vienna permanently in the 1790s, eventually settling in a quiet suburb until his death in 1809.
In the years between those Viennese periods, Haydn still visited the city to serve his princely employer, visit friends, and give or attend performances of his works.
In a city of composers, Haydn probably takes a solid third place behind Mozart in first and Beethoven in second (who no doubt keeps ahead with the added energy from all that coffee he drank). Let’s put Strauss (II) in fourth place, with Schubert and Mahler tied for fifth.
Haydn museums and monuments
(The Haydnhaus in Gumpendorf)
Haydnhaus (Haydngasse 19): The house where he lived for the last 12 years of his life is now an excellent Haydn museum. This is the unmissable bit of any Haydn tourist trail.
Inside features displays on the man and his music, with a focus on those later Vienna years. The exhibits include Haydn’s clavichord and pianoforte. And, as a special bonus, the museum includes a room dedicated to Brahms.
(The Haydn statue on Mariahilfer Straße)
Haydn monument (Mariahilfer Straße 55): A large statue built in 1887 to honour the composer. His rather imposing figure stares out over one of Vienna’s busiest shopping streets and sits at the centre of a small advent market in winter.
(Haydn sculpted behind a young Mozart)
Maria Theresa monument (Maria-Theresien-Platz): Although this 19th-century monument actually honours Empress Maria Theresa, numerous large reliefs feature key personalities from her reign. This includes composers like Gluck…and Haydn.
The relief actually depicts the great man resting his hand on the shoulder of a young Mozart.
(The Haydn figure on Vienna’s famous mechanical clock)
Ankeruhr (Hoher Markt 10-11): An insurance company gifted this mechanical clock to the city. A set of 12 historical figures rotate around its front twice a day.
Most of these figures are Imperial personalities, but one exception is the composer that appears between 12 and 1, his arrival greeted by an excerpt from the oratorio, The Creation. So no prizes for guessing who that composer is.
Neue Burg (Heldenplatz): This houses the historical musical instrument collection, which includes a fortepiano allegedly played by both Haydn and Beethoven, as well as a wax head of the master made during his lifetime (around 1800) by Franz Christian Thaler.
Haus der Musik (Seilerstätte 30): Haydn gets a whole room to himself in the House of Music, as do many of the other famous composers associated with Vienna.
Minoritenkirche (Minoritenplatz 2A): A memorial inside this church to the famous librettist and poet, Pietro Metastasio, has Haydn pictured among the figures on its central relief.
The Haydnpark and Haydnhof: Haydn’s last resting place is in Eisenstadt, about an hour’s drive from Vienna. But he was first buried in the Hundsturmer cemetery, not far from the Haydnhaus – the body was moved to Eisenstadt in 1820.
The cemetery is long gone, replaced by a nondescript park named in honour of its one-time “resident”. A near neighbour is the Haydnhof: one of Vienna’s large social housing projects from the post-WWI era. The complex is one of the stops on a city social housing walk.
(Um, this one is rather obvious)
Haydngasse and Joseph-Haydn-Straße: Both streets bearing his name (not sure that needed explaining).
Madame Tussauds: Nip inside the Vienna branch of the famous waxwork museum to encounter Haydn and a couple of other greats of classical (and more recent) music.
(Kohlmarkt 11 in Vienna’s centre)
Well, the Haydnhaus mentioned above is one of only two Haydn residences that still exist (as far as I can tell). The other is the house on Kohlmarkt (number 11), known as the Großes Michaelerhaus.
Haydn lived in this building after being thrown out of the choir, offered shelter by the court poet, Pietro Bonaventura Metastasio. Both have plaques dedicated to them at the end of the house.
(Plaque on Neuer Markt)
I found no other residences with the original building still intact. House number 2 on the Neuer Markt square does, however, bear a plaque indicating that Haydn lived on that site between 1795 and 1797.
This Neuer Markt house is where he wrote the Kaiserlied, a hymn to the emperor of the time (Francis I/II). The melody was famously later used for the German national anthem.
(The Gumpendorf church)
Gumpendorf parish church (Brückengasse 5): A plaque outside this little 18th-century church notes that it was here that Haydn’s body was blessed before its burial.
Stephansdom (Stephansplatz): Just about everyone important in Vienna has a connection with the main cathedral. In Haydn’s case, he sang in its choir until his voice broke; he also married Maria Anna Keller there in 1760.
Mozart apartment (Domgasse 5): The only Mozart residence still preserved in its original structure. Now a museum, it’s here that Haydn and Mozart played together in a string quartet, for example. You can stand in the very room their casual performances took place in. Imagine!
Where did Haydn perform?
Regrettably, as noted, not so many places remain from the heady days of the 18th century, nor do I have enough historical records to track down all the aristocratic homes he may have visited or performed in. But…
(The church on Taborstraße where Haydn sang (or possibly played) for several years)
Church of the Barmherzigen Brüder (Taborstraße 16): This church (first built in 1622) belongs to a monastic complex that includes a modern hospital. According to the order’s own information, Haydn was employed as a church musician (“first violin”) there in the 1750s, before leaving in 1758.
Outside the church, a plaque suggests he was active in/with the choir between 1755 and 1758.
(The Piarist church)
Church of Maria Treu (Jodok-Fink-Platz): Known colloquially as the Piaristenkirche, this early 18th-century baroque church hosted, for example, the premiere of Haydn’s Missa in tempore belli (Mass in Time of War) on December 26, 1796.
(The townhouse of Haydn’s famous employer)
Esterházy Town Palace (Wallnerstraße 4): The “townhouse” of the Esterházys, built in the 17th century. Haydn would have accompanied his employer there. Part of the palais is now the Museum of Illusions.
(Haydn played the organ here)
Karmeliterkirche (Karmelitergasse 10): Haydn worked here as an organist during his early years. This 17th-century church originally belonged to a Carmelite order (hence the name, still used colloquially today), but is now the parish church of St. Joseph.
(Performance of The Creation on March 27th, 1808 in the presence of Josef Haydn in the ceremonial hall of the old university. Painted by Balthasar Wigand; Wien Museum Inv.-Nr. 185015; reproduced with permission under the terms of the CC0 licence)
Austrian Academy of Sciences (Dr. Ignaz Seipel-Platz 2): If the painting above is to be believed, then Haydn attended a performance of his own work here. Back then, the location was part of the old university.