Past exhibitions at Belvedere

The joy of Vienna’s Belvedere lies in its twin offer:

Permanent exhibitions full of masterpieces from the likes of Klimt
A series of top-notch temporary exhibitions that run from medieval altar panels to contemporary art installations

I don’t cover or review every single exhibition (life gets in the way), but enjoy this archive of finished exhibitions that got full coverage on these pages. This should give you an idea of the kind of artistic treasures you might stumble upon on a visit…

Current Upper Belvedere exhibitions & info
Current Lower Belvedere exhibitions & info
See also:
- Art exhibitions in Vienna

At Upper Belvedere palace

(The Rondinone outdoor installation)

(More on Upper Belvedere and any current exhibitions here)

Franz Anton Maulbertsch: a chance to see restored paintings by the Baroque painter and influence on later artists like Kokoschka (ended September, 2024)

Adele Bloch-Bauer II: a rare (really rare, in fact) opportunity to see a piece of art of both magnificence and resonance. Magnificence as a Gustav Klimt masterpiece. And resonance as one of the paintings involved in the Maria Altmann restitution case that held the public’s attention and even attracted Hollywood’s interest (ended February, 2024)

True to Life: a presentation of 100 years of realist painting, beginning with 1850 and organised by common themes. Included a rare portrait by Klimt, which only reached Belvedere in 2019 (ended November, 2022)

Georg Eisler: as well as showcasing some of his paintings, this small-scale exhibition shone a light on Eisler’s creative process with the help of his own words and sketches (ended September, 2022).

Marc Quinn: the Face to Face exhibition placed Quinn’s Emotional Detox sculptures in dialogue with the Baroque character heads by Franz Xaver Messerschmidt (ended July, 2022)

Art of the World: small exhibition that focused on a single painting by each of three pioneering artists from beyond Western Europe – Raden Saleh, Hakob Hovnatanyan, and Osman Hamdi Bey (ended March, 2022).

Better Times?: presented the various idylls to be found in Biedermeier paintings, especially works by Ferdinand Georg Waldmüller. But… the exhibition also asked whether these representations were quite as idyllic as we might think (ended February, 2022).

The Age of Dürer: a look at the artists and art of that period of transition in Austria when the gothic slowly gave way to renaissance influences (ended January, 2022).

A Wall of Rainbows: a huge 70m-long outdoor installation by Udo Rondinone, featuring a series of rainbows and related motifs painted by young children (ended November, 2021)

Lovis Corinth: traced the evolution of this renowned German artist and his works from early days from a youthful painter to a master of diverse genres, including impressionism and expressionism (ended October, 2021).

Johann Jakob Hartmann: an in-depth look at recently-restored paintings by this pioneering Bohemian artist. The six works on show included his earth, fire, water and air ensemble of landscapes (ended August, 2021).

Elena Luksch-Makowsky: an exhibition that helped redress the unjustified gender balance in traditional coverage of Viennese art around the turn of the century. The Russian-born Luksch-Makowsky worked with the Seccession and Wiener Werkstätte, for example (ended January, 2021)

The Master of Mondsee: a quite remarkable series of altar paintings commissioned in the late 1400s. The artist remains unknown, but this was the very first time in 200 years that all the panels could be seen together (ended September, 2020)

Josef Ignaz Mildorfer. Rebel of the Baroque: a 300th birthday celebration for this painter that featured his battle paintings, his influence as a teacher, and his work as a commissioned artist for the high and mighty of central Europe (ended January, 2020)

Carlone Contemporary

The Carlone Contemporary exhibitions are an ongoing series where a single work of contemporary art is placed beneath the early 18th-century ceiling fresco in the Carlone Hall at Upper Belvedere.

Follow the link for current and past installations.

At Lower Belvedere palace

(Featured in the Viva Venezia! exhibition; Josef Carl Berthold Püttner, Night-sailing in the Lagoon, 1857; press photo © Belvedere, Vienna)

(More on Lower Belvedere and any current exhibitions here)

Hannah Höch: the exhibition revealed the art and impact of a pioneer of the photomontage. Höch challenged sociopolitics, male artistic hegemony, gender assumptions and more in Germany after the Second World War (ended October, 2024)

Broncia Koller-Pinell: another excellent exhibition that spanned art and biography. We learned of (and viewed) Koller-Pinell’s artistic achievements despite the constraints she faced as a Jewish woman around 1900. And discovered her key role as an enabler of others, including many famous male artists (ended September, 2024)

Louise Bourgeois: placed the early paintings of this renowned French-American artist in dialogue with her later works. This allowed us to see the threads and themes that run through her oeuvre, such as the influence of her childhood experiences (ended January, 2024)

Colossal: a chance to see the kind of huge-format paintings that hardly ever make it into exhibitions due to the logistical difficulties. Featuring such names as Makart, Moll, and Oppenheimer, the exhibition also offered revealing insights into the challenges of giant works for artists, museums, and restorers (ended August, 2023)

Klimt. Inspired by Van Gogh, Rodin, Matisse…: a fantastic and informative exhibition that placed Klimt works next to those that influenced both his artistic evolution and the specific styles and motifs he used. Also included a rare opportunity to view Klimt’s Water Serpents II (ended May, 2023)

Grow: an eclectic mix of an exhibition looking at the different roles that trees have played in art through the centuries. Everything from 16th-century religious motifs through to contemporary art offering environmental commentary (ended January, 2023)

Viva Venezia!: few cities cast a longer shadow on the world and the cultural memory quite like Venice. This exhibition highlighted the position of the lagoon city in the Austrian consciousness, as represented in (and influenced by) art (ended September, 2022)

Wolfgang Paalen (1905–1959): a chronological journey through the life and works of this Austrian surrealist, who was a colleague of Dalí and an influence on the likes of Jackson Pollack. The Fumage oil paintings proved a particular highlight (ended January, 2020)

Into the Night: a rather wonderful look at how various iconic clubs and cabarets contributed to the creation of art, whether directly (e.g. through posters, decor, and performances) or indirectly (e.g. by fostering artistic expression and exchange). (Ended June, 2020)

In the Orangerie

(Featured in the Joseph Rebell exhibition: his Sunset over the Campi Flegrei looking towards the islands of Procida and Ischia, 1819 © Belvedere, Vienna)

(More on the Orangerie and its current exhibition here)

Belvedere at 300: looked at the history and evolution of the institution and its art, illustrating the chronology using original documents and other items. The latter included works by such renowned names as Klimt, Schiele, and Lassnig (ended February, 2024)

Joseph Rebell: a joyous look at the early 18th-century landscapes of this Vienna-born painter. His mastery of light, in particular, revealed itself in gorgeous Italian vistas (ended November, 2022)

Dalí – Freud: the exhibition examined some of they key influences on the work and art of Salvador Dalí, with a focus on the role of Freud and psychoanalysis. We also learned about the famous 1938 meeting of the two in London (ended May, 2022)

Johanna Kandl: an intriguing little exhibition, where Kandl went “behind the scenes” to tell the story of the materials that go into paintings. She illustrated the tale with her own works and those from the Belvedere collections (ended January, 2020)

Talking Heads: one of my favourites. The exhibition presented a dozen of Franz Xaver Messerschmidt’s remarkable 18th-century busts, but accompanied by contemporary art that shares a similar theme. Arnulf Rainer and Maria Lassnig were among the prominent artists so featured (ended August, 2019)

At Belvedere 21

This is the one Belvedere institution that I rarely get to, unfortunately. Their remit covers more contemporary works than the main Belvedere site.

Renate Bertlmann: a major retrospective for one of Austria’s most prominent artists. Radical and provocative, though how provocative depended on your perspective (ended March, 2024)

Attersee: a wide-ranging retrospective of the work of Christian Ludwig Attersee that burst with colour and imagination while defying my flimsy abilities to offer any kind of general description (ended August, 2019)

(More on Belvedere 21 here)